Marie Matusz (b. 1994, Toulouse) lives and works in Basel.
Her work results from critical engagement with forms and their inherent meanings, evolving through in-depth research into philosophical, sociological, and linguistic theories. By juxtaposing elements and textures, she creates an aesthetic of management and develops a choreography of the viewer while the works seem to remain motionless and static. This suspension goes beyond the physical, as it seeks to activate a suspension of time. Her work plays with this moment of idleness by presenting objects from various historical archives taken from our classical lexicon, and reexamining them through contemporary lenses and production techniques.
Marie Matusz obtained a bachelor’s degree in Visual Arts from the Geneva University of Art & Design (HEAD) in 2016 and a master’s from the Basel Academy of Art & Design (FHNW) in 2018.
Recent solo exhibitions include: Reservoir at Kunsthalle Basel (2025); Prequel, Blue Velvet Projects, Zurich (2023); Lonely Daters, Clima Milan; Fall at Swiss Institute, Milan; Vulture, Der Tank, Basel (2022); Until We Turn Blue (Dorothea Von Stetten Art Award), Kunstmuseum Bonn (2020); Epoche, Kunst Raum Riehen (2020); Golden Hour, Atelier Amden (2019); and Caravan, Aargauer Kunsthaus (2019).
Her works have been included in Honey, Blue Velvet Projects, Zurich (2023); The Fairest – non (...)
Marie Matusz (b. 1994, Toulouse) lives and works in Basel.
Her work results from critical engagement with forms and their inherent meanings, evolving through in-depth research into philosophical, sociological, and linguistic theories. By juxtaposing elements and textures, she creates an aesthetic of management and develops a choreography of the viewer while the works seem to remain motionless and static. This suspension goes beyond the physical, as it seeks to activate a suspension of time. Her work plays with this moment of idleness by presenting objects from various historical archives taken from our classical lexicon, and reexamining them through contemporary lenses and production techniques.
Marie Matusz obtained a bachelor’s degree in Visual Arts from the Geneva University of Art & Design (HEAD) in 2016 and a master’s from the Basel Academy of Art & Design (FHNW) in 2018.
Recent solo exhibitions include: Reservoir at Kunsthalle Basel (2025); Prequel, Blue Velvet Projects, Zurich (2023); Lonely Daters, Clima Milan; Fall at Swiss Institute, Milan; Vulture, Der Tank, Basel (2022); Until We Turn Blue (Dorothea Von Stetten Art Award), Kunstmuseum Bonn (2020); Epoche, Kunst Raum Riehen (2020); Golden Hour, Atelier Amden (2019); and Caravan, Aargauer Kunsthaus (2019).
Her works have been included in Honey, Blue Velvet Projects, Zurich (2023); The Fairest – non playable character, Istituto Pier Fortunato Calvi, Venice, Intelleaks, Nameagesexlocation, Mexico, Spring Equinox, Suns.works, Zurich (2022); Liquida’s Tales, Cherishhhhh, Geneva, Shoe Show, Kligenthal, Basel, Dorothea Von Stetten Art Award 2020, Kunstmuseum Bonn, Bonn (2021); Ba- rely Furtive Pleasures, Nir Altman Gallery, Munich, Punk Delikatessen, Suns.Works, Zurich, Kunstkredit20 BaselStadt, Kunsthalle Basel, Basel (2020); Ein Karte -35/+65, Kunsthalle Basel, Basel, Retour À Rome, Instituto Svizzero, Roma, Crocodile Tears, Salts hosts Fiancé, Birsfelden, Dissonant Healing, Galerie Maria Bernheim, Zurich, Discoteca Analyti- ca, Kunsthalle Fri Art, Fribourg (2019). Marie Matusz received the Swiss Art Award in 2021.
- Marie MatuszTowards Vanishing: Under The Canopée (At The Corner Of The Sidewalk), 2025,
installation view, in: Marie Matusz, Reservoir, Kunsthalle Basel, 2025,
photo: Philipp Hänger / KunsthalleBasel - Marie MatuszTowards Vanishing: Hommage-Letter, Image-Density, 2025;
Towards Vanishing: Baroque Seeker, I Would Like To See The Tip Of Your Shoes, 2025,
installation view, in: Marie Matusz, Reservoir, Kunsthalle Basel, 2025,
photo: Philipp Hänger / KunsthalleBasel - Marie MatuszFellow Prisoners, 2025, installation view, in: Marie Matusz,
Reservoir, Kunsthalle Basel, 2025, photo: Philipp Hänger / KunsthalleBasel - Marie MatuszCanons and Continents (Dérives XXXIV-XXXVI)
2024
Acrylic glass, steel, mirror, pvc
70 x 70 x 10 cm
Series of3 - exhibition view
- Marie MatuszBetween Nostalgia and Anticipation, 2024
Solvent UV resistant ink on Pictorico film
45,5 x 31 cm each
17x 12 ineach - Marie MatuszAll systems create the conditions of their own demise, 2022
acrylic glass (10 platforms, stacked version) 60 × 80 cm
Photo: GiulioBoem - Marie MatuszAll systems create the conditions of their own demise, 2022
acrylic glass (10 platforms, stacked version) 60 × 80 cm
Photo: GiulioBoem - Marie MatuszMillenial Clock, 2022
Aluminium, ash, Taenaris myops female 44,5 x 30 x 16,5 cm Edition of 15 + 2 AP
credits ChristianKnoerr - Marie MatuszStand still for a second (no needs) (II), 2022
Information panels, acrylic glass
132x96x8cm - Marie MatuszStand still for a second (no needs) (I), 2022
Information panels, acrylic glass
132x96x8cm - Marie MatuszStand still for a second (no needs) (III), 2022
Information panels, acrylic glass
132x96x8cm - Marie MatuszEverybody feels thee wind blow, 2022
shark jaw (Charcarinus obscurus), mirror, acrylic glass
45 x 18 x 45 cm vitrine: 100x48x176 cm
Photo: GiulioBoem - Marie MatuszEverybody feels thee wind blow, 2022
shark jaw (Charcarinus obscurus), mirror, acrylic glass
45 x 18 x 45 cm vitrine: 100x48x176 cm
Photo: GiulioBoem - Marie MatuszThere is no document of civilisation that is not a document of barbarism, 2022
cast iron piano frames
170x140x130 cm
Photo: GiulioBoem - Marie MatuszThere is no document of civilisation that is not a document of barbarism, 2022
cast iron piano frames
170x140x130 cm
Photo: GiulioBoem - Marie MatuszHarness the Storm (portrait), 2022
Shaders (aluminium woven fabric)
190x130x2cm - Marie MatuszHarness the Storm (landscape), 2022 Shaders (aluminium woven fabric)
190x130x2cm - Marie MatuszThe Doomed, 2022
Hair mats
83x46x18cm - Marie MatuszThe Doomed, 2022
Hair mats
83x46x18cm - Marie MatuszNo created world ever hindered the course of thunder, 2022
Wax coated fabric, wood frame
240x120x5cm - Marie MatuszNo created world ever hindered the course of thunder, 2022
Wax coated fabric, wood frame
240x120x5cm - Marie MatuszFair and square (fragmented artist’s proof), 2023
Pigments, natural binder, acrylic laquer
variabledimensions - Marie MatuszFair and square (fragmented artist’s proof), 2023
Pigments, natural binder, acrylic laquer
variabledimensions