Clima is pleased to announce the first solo show at the gallery by Bri Williams (b. 1993, Long Beach, CA)
Opening reception January 23rd, 2025
from 18 to 21
on view 24.01.2025 – 22.03.2025
Seep into my skin. Oil to leather.
Our teeth fell out while we waited for them to grow back in 100 years. She had tried to run out, that is why she’s tied up. She had lost her mouth by then. It kissed the tap and hugged the sink. They kept talking and talking at her, but she couldn’t talk because she was breathing… or he was breathing.
“If you bang your head against the wall you should be able to talk.”
My visions abandoned, I shed my skin. Carmine flesh and navy veins glow in the moonlight.
Is this release?
The lock, the door, the clasp, the hair strand chain. I expanded when I was bound, my sebum stains the pillow case.
“Our love is like the movies”
Head kisses the surface.
Always.
Amidst the chaos of fractured dreams- discarded Christmas decorations, dried flowers, and animal remains- Williams’ found and preserved sculptures resonate in hushed tones. Images and works were developed amid several encounters with dead deer and birds on the route to work. The relationship between the potential of sculpture and the existential notions of mortality and isolation reveal dialogues that span memory, nature, and the human condition. This new series of work captures a still breath (...)
Clima is pleased to announce the first solo show at the gallery by Bri Williams (b. 1993, Long Beach, CA)
Opening reception January 23rd, 2025
from 18 to 21
on view 24.01.2025 – 22.03.2025
Seep into my skin. Oil to leather.
Our teeth fell out while we waited for them to grow back in 100 years. She had tried to run out, that is why she’s tied up. She had lost her mouth by then. It kissed the tap and hugged the sink. They kept talking and talking at her, but she couldn’t talk because she was breathing… or he was breathing.
“If you bang your head against the wall you should be able to talk.”
My visions abandoned, I shed my skin. Carmine flesh and navy veins glow in the moonlight.
Is this release?
The lock, the door, the clasp, the hair strand chain. I expanded when I was bound, my sebum stains the pillow case.
“Our love is like the movies”
Head kisses the surface.
Always.
Amidst the chaos of fractured dreams- discarded Christmas decorations, dried flowers, and animal remains- Williams’ found and preserved sculptures resonate in hushed tones. Images and works were developed amid several encounters with dead deer and birds on the route to work. The relationship between the potential of sculpture and the existential notions of mortality and isolation reveal dialogues that span memory, nature, and the human condition. This new series of work captures a still breath – forms that whisper and capture life’s essence in a close embrace.
A symphony of silhouettes is orchestrated, echoing within obscured frames, experiencing the fluent romance of existence. The work reinterprets the complexities of life through the lens of Dada, a movement that reveled in narrative fragmentation.
Their subjects go through rigorous almost alchemical processes, constructing an atmospheric scrying stone. In wandering through this vast terrain, one might discover their own narrative interwoven within the figurations, reminiscent of hearing a best kept secret.
Emily Lucid
photo: Flavio Pescatori
- Bri WilliamsThe Gift, 2024
Resin, bird wings, metal parts
83x39x26 cm
32.5x15x10in - Bri WilliamsThe Gift, 2024
Resin, bird wings, metal parts
83x39x26 cm
32.5x15x10in - Bri WilliamsUntitled (A million roses), 2024
Mechanical pencil on paper
69x34x4 cm
27x13x1.5in - Bri WilliamsDeer, 2024
Mechanical pencil on paper
69,5x42x4 cm
27.3x16.5x1.5in - Bri WilliamsEye, 2025
Metal frame, beeswax, indigo dye, thread, wood
92x21x14 cm
36x8x5.5in - Bri WilliamsEye, 2025
Metal frame, beeswax, indigo dye, thread, wood
92x21x14 cm
36x8x5.5in - Bri WilliamsOmen (Crow), 2024
Resin, flower, marble, wood
34x149x53 cm
13x58x20in - Bri WilliamsOmen (Crow), 2024Detail
- Bri WilliamsOmen (Crow), 2024Detail
- Bri WilliamsNo Man’s Land, 2024
Wax, henna
37x68x3 cm each
14x26x1.2 ineach - Bri WilliamsNo Man’s Land, 2024
Wax, henna
37x68x3 cm
14x26x1.2 in - Bri WilliamsNo Man’s Land, 2024
Wax, henna
37x68x3 cm
14x26x1.2 in - Bri WilliamsNo Man’s Land,2024Detail
- Bri WilliamsMagician’s Cut Box, 2025
Wooden box, resin
18x40x31,5 cm
7x15x12.5in - Bri WilliamsMagician’s Cut Box, 2025
Wooden box, resin
18x40x31,5 cm
7x15x12.5in - Bri WilliamsMagician’s Cut Box, 2025
Wooden box, resin
18x40x31,5 cm
7x15x12.5in - Bri WilliamsLethal, 2025
Bedsheet, resin, beeswax, indigo dye, thread, metal frame
145x110x19 cm
57x43x7in - Bri WilliamsLethal, 2025
Bedsheet, resin, beeswax, indigo dye, thread, metal frame
145x110x19 cm
57x43x7in - Bri WilliamsLethal, 2025Detail
- Bri WilliamsThe Pacifist, 2025
Metal, resin, beeswax, dried flowers, silicone, blouse, wood
93x123x96 cm
36.5x48x37in - Bri WilliamsThe Pacifist, 2025
Metal, resin, beeswax, dried flowers, silicone, blouse, wood
93x123x96 cm
36.5x48x37in - Bri WilliamsThe Pacifist, 2025
Metal, resin, beeswax, dried flowers, silicone, blouse, wood
93x123x96 cm
36.5x48x37in - Bri WilliamsThe Pacifist, 2025
Metal, resin, beeswax, dried flowers, silicone, blouse, wood
93x123x96 cm
36.5x48x37in - Bri WilliamsThe Pacifist, 2025Detail
- Bri WilliamsThe Pacifist, 2025Detail
- Bri WilliamsThe Pacifist, 2025Detail
- Bri WilliamsStaff, 2025
Beeswax, silicone, whip, jump rope
100x35x5 cm
39x13x14.5in - Bri WilliamsStaff,2025Detail
Bri Williams (b.1993, Long Beach, CA).They received their BFA from the School of the Art Institute of Chicago (Chicago, IL) and their MFA from Mills College (Oakland, CA). Recent group exhibitions include XXH – Time 2, Foundation Francés, Clichy, France (2024); What happens when we cry, Derouillon Gallery, Paris, France (2024); vītatio, Altman Siegel, San Francisco, CA (2024). Recent solo exhibitions include an arrow shot over the house that hit no one, Clima, Milan, Italy (2024); Mock Serenade, Dvir Gallery, Paris, France (2023); Out, Progetto, Lecce, Italy (2021).